Horror Movie Jeopardy!

This site’s author is Jeopardy!-obsessed (weird to see an exclamation point followed by a hyphen, but there you go. Actually, it’s weird to see an exclamation point but that’s part of the trademark/copyright).

Whether it’s Trebek’s awkward banter, or the boring anecdotes told by the contestants, rivaling even this:

Anyway, here are the dream categories for gore-hounds should horror be the order of the day on Jeopardy!

A Bay of Blood

In evolutionary biology, a phylogenetic tree shows physical or genetic relationships among species. And many gore-hounds forget that proto-slashers Black Christmas and Halloween share a common ancestor: A Bay of Blood.

In 1971, Mario Bava might very well have birthed the first truly modern horror film. A Bay of Blood not only has all the hallmarks later associated with the genre — the dizzying camerawork, the killer POV, and the heavy breathing — but it also suffered the trappings many of these films would later follow: budget cuts, multiple titles, a harried production schedule, scene settings far from ideal, “teens” who look north of 30 years of age, and impromptu technical improvisation (Bava used a toy wagon for tracking shots).

Cheap and cheerful, Bava nonetheless retained some of the magic that made Black Sunday and Planet of the Vampires so memorable, and created wholly unique, and yes beautiful, bloodletting. With akimbo angularity, shimmering waters, rustling foliage, and truly Italian interior design sensibilities, A Bay of Blood is a truly remarkable visual banquet.

In the film’s opening stunner, a countess is strung up with a rope, the clicking of her wheelchair wheel turning ever so slowly. A figure emerges out of the darkness to investigate…and soon, he’s dispatched with shiny blade. It’s a scene that shows just how much can be done with a director in thorough control of his craft.

Turns out the grand (and very dead) dame possessed a valuable, coveted piece of lakeside property abutting the title bay. And a scheming realtor and his girlfriend had designs on it.  But not all is as it seems.

A group of four young people begin to explore the property, which appears abandoned.

Slasher fans should recognize just how much Bava inspired the Friday the 13th series. There’s Bobby’s billhook demise (pictured) and a Baconian skewer pre-Kevin Bacon. However, unlike the post-coital dispatching we’ve come to associate with 80s slashers, Bava seems to revel in the mid-coitus kills, sexualizing them. It’s an interesting and jarring thing to behold for those of raised on domestic horrors.

***3/4 (out of 5)

[On the Really Awful Movies Podcast, we’ve discussed Mario Bava films at length. Check out our discussion of Black Sabbath!]