Train to Busan sounds like a bad prog rock album, something that was probably recorded live in 1977 and featuring a synthesizer the size of a small bachelor apartment.
What it is though, is a South Korean horror film set on a train, which against all odds, actually manages to reproduce the tedium of rail travel.
Wildly overpraised on all fronts, Train to Busan actually received commendation for what the New York Times called its “class warfare,” as if this is the first time in movie history where a guy with calloused hands took a slick city dweller to task, making him a better man in the process.
Seok-woo is the latter. We know he’s unsympathetic, because like in Hollywood, people in certain occupations come with a set of tedious expectations: as a fund manager, ergo, he’s a leech on society. If this were a rom-com, he’d have a writer (the noblest creature on earth, second only to an inner-city kindergarten teacher) rescue him from a life of crass materialism.
He’s a terrible father, because…see above. He is taken his sullen daughter to see her mom as his marriage has dissolved. As part of a birthday gift, he takes her on a…Train to Busan…
And it’s time for another stock character to sound the alarm, a vagrant warning that people are dying (the homeless are either dispensers of wisdom, or crazy, but seldom anything in between when it comes to the silver screen).
Turns out Mr. No-Fixed-Address is correct!
There’s an infection, and it’s spread farther than the afflicted girls’ gams, that is to say, throughout South Korea’s southern coast. News broadcasts start to report zombie outbreaks country-wide. Now it’s up to the passengers, which include the elderly, some evil corporate types, a baseball team, cheerleaders, etc, to save themselves from rampaging zombies.
Much has been made of these zombies. They’re fast, they’re plentiful, they’re loud…but ultimately they’re tedious.
Train to Busan, like a locomotive, works on one level, and one level alone. Never have so many sliding doors been slammed into the faces of the rampaging undead. It’s not gory enough either, and there’s a noticeable lack of spirit.
**1/2 (out of 5)
[Hop on board and hear our Train to Busan podcast discussion]