Head Cases: Serial Killers in the Delaware Valley

Head_Cases“Wayne taped, photographed and recorded everything.” There you go. A thorough way to explain away all that found footage.

But let’s be fair here: while the found footage genre occupies a dank basement when it comes to how we rank our genres Head Cases: Serial Killers in the Delaware Valley is pretty damn-well made.

The film, channeling Dateline NBC and 48 Hours mysteries, luckily doesn’t channel anything else (supernatural being our second least favorite genre). It puts us up close and personal with serial killer Wayne Montgomery, his accomplice jailbird wife (“I knew he killed before and it didn’t bother me”) and his on-the-lam stepson.

We get backstory aplenty: the notorious 41-time serial killer had a mom who gave birth to him at the exact reverse of that number. He gets into the multiple killing game through an affair with the married “Andrea,” encouraging the woman to off her abusive husband, an heir to a local steel magnate.

To their credit, the filmmakers painstakingly used era-appropriate recording devices. Also, the tales of torture and abuse come with solecisms and other natural vocal ticks, accompanied by childhood photographs and video of the actors. This really added to the authenticity. The only real slip up: the crow-barring in of the fictional found footage, into a documentary that’s taken the world by storm! You guessed it, Headcases.

Head_Cases_stillThere’s also that old saw, if you’ll pardon the half-pun, of serial killers being predisposed to abusing animals as kids and then “graduating” to humans. As an article in Psychology Today put it, that homicidal triad of childhood bedwetting, fire-setting and animal cruelty likely represent three, among many, indicators of severe childhood abuse. No one of these alone can be used to predict serial killing behaviour. Stands to reason: the vast majority of animal abusers don’t become serial killers.

But we digress. It all adds to the mystique in the end (Wayne’s first murder, age 11, involved a china plate and a babysitter in a creepy detail). Good performances all around as well.

They do a lot, with very little. While we frown on found footage, in capable hands there’s a lot that can be done.

***1/2 (out of 5).

Enter the Dragon

Enter_the_dragon_lee_saxonWhen a woman’s body washes up in the South China Sea, the death is pinned on the mysterious Mr. Han, an island recluse and cat-stroking villain with a prosthetic hand who could’ve stepped right out of a Bond film.

That this should be the casus belli for the hundreds of fatalities that ensue, is a little rich but hey…who needs plot when there are fists of fury?

Enter the Dragon.

British intel tries to get Lee (played by the redoubtable Bruce Lee) to infiltrate Han’s island, where to-the-death martial tournaments are frequently held.

Since there’s the obvious potential red herring large enough to be spotted from a helicopter, the film deals with it abruptly: Mr. Han doesn’t like guns! (He had a bad experience with them. Ergo, anyone’s frisked coming in and if they’re found packin’, they’re sent packing! So intel couldn’t just arm Lee to the tits and have him shoot the place to bits. Clear?

Done.

Instead, Lee uses his guile and his incredibly ass-kicking ability to get his hands on Han.

Jim_Kelly_Enter_the_dragonThere’s a reason rappers Wu-Tang Clan “kicked rhymes like Jim Kelly” in Da Mystery of Chessboxin.’ Jim Kelly (Williams) is simply awesome and he’s along for the ride as a tournament combatant.

The Kentucky native sports a giant ‘fro, cool yellow gi and beats down opponents with his karate skills. He’s Black Belt Jones, for chrissake.

Also, b-movie greats Bolo Yeung (Bloodsport) and John Saxon (Cannibal Apocalypse and A Nightmare on Elm Street I and III) are on hand to compete in this tournament. Bolo folds up one of Han’s henchman like an accordion in one of cinema’s most memorable deaths.

When Han accuses Williams of breaking curfew as well as the bones of his faceless, inept security detail, we get the following:

Han: We are all ready to win, just as we are born knowing only life. It is defeat that you must learn to prepare for.
Williams: I don’t waste my time with it. When it comes, I won’t even notice.
Han: Oh? How so?
Williams: I’ll be too busy looking gooood.

Amazing.

A lean Bruce Lee’s acrobatic chop-socky beat-downs carry the day, but there’s no denying the charisma of Han (Shih Kien) and the coolness of his prosthetic weaponry.

**** (out of 5)