With more bungled police work than the entire Amanda Knox case, this Italian crime curiosity is notable for showcasing some of the hallmark gore Maestro Lucio Fulci would later bring to the big screen in The Beyond and City of the Living Dead.
Don’t Torture a Duckling, aka Non si sevizia un paperino, like the later New York Ripper, also features Donald Duck; however, it’s in passing reference, and not as a key killer character trait (the killer in the latter adopting that quacky voice to thwart NYPD detectives, which has haunted horror hounds since 1982).
Here, the fictional small town of Accendura is rocked by the death of three local rapscallions, Bruno, Michele, and Tonino. What ensues is a media circus not unlike the one cartwheeling weirdo Amanda Knox brought to the city of Perugia (where the giallo, Torso, is set, incidentally).
Martelli (Cuban-born Italian genre stalwart Tomas Milian) is a big-city journalist who brings gumption and Burton Cummings facial hair to the town, asking probing questions and eventually befriending a nympho Milanese supermodel, Patrizia (Barbara Bouchet, see accompanying poster) and a priest (as one does) to get to to the bottom of the killings.
Don’t Torture a Duckling, released by Arrow on Blu-ray, features a number of hilarious set-pieces, and enough weirdness to carry the day.
This includes: a village idiot and peeping Tom, Giuseppe (taunted by the boys in a truly bizarre set-up involving ladies of the evening retiring to a country shack); some of the most laughable exposition you’ll ever see (even for an Italian horror), Voodoo dolls; and yes, Patrizia securing Orangina* from a youngster while she reclines in the buff (again, see accompanying poster).
Fulci fans will forgive a veritable Smørrebrød of pickled red herrings, as he is able to create some unforgettable elements (as usual) and enough to keep the viewer engaged.
Of particular note, the incredible score by Grammy winner Riziero Ortolani, who provided the soundtrack to our nightmares in Cannibal Holocaust (1980), House on the Edge of the Park (1980) and Madhouse (1981).
*** (out of 5)
[Check out our Don’t Torture a Duckling discussion on the Really Awful Movies Podcast!]
*a delicious, lightly carbonated Italian fruit drink.
One thought on “Don’t Torture a Duckling”
I found this film to be powerful and kind of shocking, one of Fulci’s better efforts, but evidently irony poisoning classifies it as an “Italian crime curiosity.”