Killer Condom

Big thanks to our buddy Lloyd Kaufman and the folks at Troma for picking this one up, er, perhaps the wrong choice of words…for distribution. Killer Condom makes for a wonderfully cheeky double bill with Greg Lamberson’s Killer Rack* (cheap plug, as one of us was an associate producer on that one). And the flick delivers as promised: prophylactic panic! Dome dread! Jarring jimmies! terror Trojans!

Luigi Mackeroni (Udo Samel, star of Far Away So Close) is a jaded dick walking the streets of the Big Apple. He frequents a flea-bag hotel where a sinister crime has taken place, which readers shouldn’t have too much trouble figuring out. Cops initially suspect lady paramours and women of the evening, but it turns out that’s not who’s doin’ in johns.

Turns out that there are indeed, as the poster says, “rubbers that rub you out.” Luigi’s bosses are skeptical, and NYPD doesn’t want the word to get out about such a preposterous MO.

A German language film based on  Ralf König’s comic book series, Kondom des Grauens, Killer Condom keeps the dark subject matter light, even with AIDS subtext. 

It’s rich, occasionally creepy and sardonically funny. Killer Condom has a world-weary, almost leisurely feel, which is incredibly rare for a horror film.

Variety Magazine said, “The Killer Condom” may not fit everyone’s idea of a good time (don’t worry, there’s a “but” coming) but [it] “will wring a few laughs out of anyone looking for a non-correct evening out.”

With this kind of title, and associated subject matter, it should come as no surprise that Killer Condom provided fodder for our show, the Really Awful Movies Podcast.

***1/2 (out of 5)

[*Editor’s note: As a point of interest, the anthology horror Chillerama, which we reviewed on this site, features an installment where a character emits a very very large spermatazoa, which wreaks monster-movie style havoc on New York City] 

Night of the Living Dead (1990)

Most remakes are duds, so it makes sense that this one should be “Dead” in the water too. However, 1990’s Night of the Living Dead has taken on a life of its own independent of the inestimable original, and easily exists in the upper third of undead flicks.

The genre is admittedly running on empty right now, and has been for a few years. To lay our biases out on the table, neither of us warmed to the frenetic, though ultimately unsatisfying Train to Busan. But give it a few years and the zombie genre’s corpse will be exhumed and someone will have another go, perhaps a return to Haitian roots a la The Serpent and the Rainbow, and one would hope, not another jokey My Fair Zombie-type feature.

In this remake, effects man Tom Savini (with whom the authors of this site had a chance to chat — see our transcribed interview with Savini) is in the director’s chair. And what we end up with, is greater moral agency for Barbara and more badassery from Ben.

The twosome connect in a Pennsylvania farmhouse when her family is under attack. They meet fellow survivors, and thus begins a lengthy test-of-wills over what to do next and how it should be done, with the Coopers (a snooty hubby and wife dressed for the opera) content to just hunker down in the cellar, with Ben seeking to stand his ground above, board up the windows, and take their chances with the remaining firepower.

Things move along at a terrific pace, even if the deviations from the source material aren’t that pronounced.

When Night of the Living Dead  was released on Blu-ray, Umbrella apparently restored much of the color richness that had been lost.

What’s odd though, given Savini’s Sultan of Splatter’s gore pedigree, is that this aspect of the film is given short shrift.

In Savini’s hands, even a paint-by-numbers slash-and-stalk like The Prowler is given extra heft with its incredibly gory kills. In Night of the Living Dead the blood and guts are as subdued as the color.

***1/2 (out of 5)