Get Out

Get Out can’t get out of its own way, stumbling from outstanding in-group out-group frights to Phantasm body-snatcher silliness. With an opener depicting upper-crust suburbia as terrifyingly as the original Halloween, a random African American man is suddenly murdered walking  through a gated community. The tension is agonizing, compounded by teeth-chattering musical accompaniment. Shifting gearsContinue reading “Get Out”