Nobody

Nobody knows…the trouble he’s seen…nobody knows his sorrow.

The improbably named Hutch Mansell is played by the improbably cast Bob Odenkirk, the slight, verbose barrister of Better Call Saul and the unlikely action star here.

In Nobody, we are introduced to a suburban family and a perpetually garbage day-missing put-upon dad whose days blend into one another.

He has a dead-end punch clock managerial job which frankly, looks quite hellish.

When the fam become victims of an armed home invasion, Hutch takes a passive/pacifist approach causing a rift with his teenage son and making him the simp/wimp butt of office jokes.

Before too long, however, Hutch, like Michael McDonald, is taking it to the streets. And he’s seeking trouble where he can find it a la Charles Bronson in Death Wish and like fellow mellow family man Paul Kersey, acquitting himself unbelievably well in the process.

A kind of reverse A History of Violence, Nobody lacks the smarts and social commentary about identity, redemption and recidivism of that Cronenberg classic, and puts things squarely in high gear as a lunk-head action film. And we as viewers are the better for it.

Nobody has cornball Russian baddies, fisticuffs galore – a city bus donnybrook that is absolutely legendary – and even Christopher Lloyd and Michael Ironside (Scanners). If that isn’t enough to wet your action whistle, what is?

***3/4 (out of 5)

[Check out the Really Awful Movies podcast discussion of Nobody!]

Dolly Dearest

Not a fan of doll bands (Pussycat Dolls, Goo Goo Dolls, New York Dolls). Or doll horrors. The fact that the best of the bunch, 1988’s Child’s Play* isn’t even a Top 5 Horror movie in the year it was released, is a testament to the tepidness of the sub-genre – and Dolly Dearest is no exception.

A Los Angeles executive, family in tow, heads to an Mexican hacienda to restart the Dolly Dearest toy empire, unearthing blueprints, prototypes, models, etc.

Unfortunately, the structure abuts a Mayan burial ground which an archeologist has been tampering with, unleashing something supernatural pre-credit roll.

If we’ve learned anything from horror, it’s that disturbing grave sites comes with a price, whether it’s Poltergeist, The Shining, Demons, Demonia, and…oh about hundreds of others.

Soon, a Dolly Dearest doll is inhabited by an evil spirit, a la Child’s Play and begins to possess the ad exec’s young daughter and terrorizing the locals, dunking a granny in a laundry tub and zapping her.

Star Trek TNG’s Denise Crosby plays the mom, Sam Bottoms (brother of Hollywood legend, The Last Picture Show’s Timothy) the dad, and Rip Torn is the archeologist.

This one is decently made, and has a dynamite cast, all things considered – and better than Dolly Dearest deserves.

There are some occasionally, ahem, spirited moments in this, but otherwise don’t expect too much.

**3/4 (out of 5)

*The best sorta “doll” film is 1988’s Pin – and as a therapeutic medical dummy, that is not even a doll you play with, so it stretches definitions.